Revisionen & Versionen

„Dies ist eine zweisprachig gemischte Seite“

Seit Februar 2020 gibt es diese Seite mit laufend aktualisierten Informationen über redigierte Ausgaben, neuen Versionen und Errata-Seiten einiger Kompositionen. Außerdem werden einige besondere Spieltechniken beschrieben. Die Errata-Seiten können neben Fehlerkorrekturen auch Verbesserungen von Erklärungstexten oder Hinweise zur besseren Lesbarkeit der Notation beinhalten.
Links zu Errata Seiten: Klick zum Anschauen, Rechtsklick zum Herunterladen.

3 Renaissancetänze – Variationen nach Mainerio ohne Harfe (2010)

Notenausgabe im Selbstverlag Dezember 2019

Errata Seite.pdf update 18.02.20 bezieht sich auf die gedruckte Ausgabe der Version ohne Harfe.

Blinde Berührung / Blind Touch for Lute and Bass Viol (2014, Revised Edition 2020)

Please only use the revised edition BM09-0708162 of 2020!
Errata page.jpg refers to „Blinde Berührung / Blind Touch“ BM09-0708160 and BM09-0708161 published before January 2020.

Der Bär auf der Brücke / The Bear on the Bridge (2014, New Version 2019)

Please only use the new version BM 12-1811190 of 2019!
This new version (2019) has harmonic changes throughout the piece. The explanation of playing techniques and notation has been revised.
Errata page.jpg

Geister / Ghosts I&II for Theorbo (2017, New Version 2019)

Please only use the new version CLM08-3112190 of 2019!
This new version (2019) has harmonic changes, especially in the last movements of the piece. The explanation of playing techniques and notation has been revised. The rhythm notation, especially in the polyphonic movements, has been corrected.
Compared to the first version, the new version can be studied with little effort. Microphone amplification is desirable.

Kokoro for Theorbo (2009, Revised Edition 2020)

Revised Edition January 2020, CLM02-0614152
Modification in the revised edition: Corrections (more information will follow shortly). New tablature font, new score layout. The errata page refers mainly to old editions, but the description of playing techniques has been continuously improved to this day.
Errata page – update 12.06.20.jpg

Qtab for Theorbo (2015, Revised Edition 2020)

Errata-page (coming soon) for CLM03-0317150 published before January 2020
Revised Edition February 2020, CLM03-0317151
(more information will follow shortly)

Ring for 2 Guitars (2012, Revised Edition 2019)

Revised Edition October 2019, BM10-1907121
Modification in the revised edition:
Bar 99 ff: some changes in bass movement of guitar 1


Notes on Descriptions of Playing Techniques

Nail Attack (plucked string instruments)

The text of the nail attack in the explanation of playing techniques and notation of the pieces Kokoro, Geister / Ghosts etc. has undergone several changes. You can find descriptions of this technique in articles, videos etc. about guitar fingerstyle techniques. Sometimes, contrary to my definition, a kind of golpe is included. It is important that the fingernail surfaces (more precisely the nail plates) of the plucking hand strike on the strings with finger impulse.

Harmonics + fundamental (plucked string instruments)

The text of “Harmonics + fundamental” (formely “Half harmonics”) in the explanation of playing techniques and notation of the pieces Kokoro, Geister / Ghosts, Guitar Spots etc. has undergone several changes (** for theorbo only**):

Flageoletts + Grundton
Bevorzugte Position: in Stegnähe. Wenn möglich, spiele in „Daumen-außen Haltung“. Während der Finger anschlägt, berührt die Fläche des Daumennagels leicht den Chor. Finger und Daumen verlassen den Chor gleichzeitig. Der Grundton (der normale Ton des Chores) sollte „durchscheinen“. Durch wiederholtes Anschlagen bei variierender Position der Anschlagshand werden wechselnde Flageoletttöne erzeugt.

Harmonics + fundamental
Preferred position: near the bridge. If possible, play “thumb-outside”. While the finger is plucking, the surface of the thumbnail is touching the course slightly. Finger and thumb are leaving the course simultaneously. The fundamental (the normal tone of the course) should “shine through”. While varying the position of the plucking hand, a repeated plucking creates changing harmonics.