Diese Seite liegt hauptsächlich in englischer Sprache vor / This page is mainly in English
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Schwerpunkt meiner Arbeit ist die zeitgenössische Musik. Es gibt aber auch Hörproben aus Multi-Genre-Stilen wie Jazz- oder lateinamerikansche Musik.
The main focus of my work is in contemporary music. There are also audio samples composed in mutli-genre styles like Jazz or South American Music.
BLINDE BERÜHRUNG / BLIND TOUCH
for Lute and Bass Viol (2016) – T. Bocklenberg
Extracts of the premiere at Munich, April 2017
Performer: Michael Freimuth, Lute and Arno Jochem, Viol
Source: CD “Caprice”. The playback takes place with usage authorization of the Bavarian administration of the state castles, gardens and lakes as well as with friendly permission of the mentioned players.
CODEX BREVIS – Scherzo ex anima IV
for Violin, Descant Recorder, Bass Viol, Lute (2014) – T. Bocklenberg
Please note that the playback of timbre, articulations etc. do not correspond to real instrumental sounds!
Digital audio sample (virtual instruments)
ETUDE Nr. 3 “UNBEWUSST”
Unbewusst – Beginning from 3 Choreographische Etüden – CLICK TO VIEW
from Drei Choreographische Etuden für Gitarre (1978/79) – T. Bocklenberg
Performer: Thomas Bocklenberg
HULOTOMBEAU
2 Pianos (1984) – T. Bocklenberg
Recording of the premier at Gaudeamus-Musicweek 1984 at De Ijsbreker by piano duo René Eckhardt and Niek de Vente.
Extract bar 158-end
With kind permission of Gaudeamus, Netherlands
RUMBA STRINGTIME
2 or 4 Guitars (2019) – T. Bocklenberg
A Piece (not only) for young guitarists
Version for 4 Guitars: Thomas Bocklenberg, Guitar 1 – 4
INTERVIEW MIT AutoFluk
Interview mit AutoFluk – graphic score page 4+5 – CLICK TO VIEW
Interview mit AutoFluk – Schaltbild Montiflange – CLICK TO VIEW
Interview mit AutoFluk – Schaltbild Amplituden-Vibrato – CLICK TO VIEW
Electronic Composition for 4-Channel-Tape.
Produced with the Synlab-System at ICEM – Folkwang University (1986) – T. Bocklenberg
Duration: 20’03”.
5 audio samples as 2-channel-mixdown.
With kind permission of ICEM – Folkwang Universität der Künste Essen.
IRINI – this piano is sending the message now
Irini for piano – page 5 CLICK TO VIEW
Irini for piano – page 11 CLICK TO VIEW
Irini for piano – preface – CLICK TO VIEW
Variations on the morse code of the word IRINI (ειρήνη) (2014) – T. Bocklenberg
5 Variations:
1. Triad
2. Contact
3. Voices
4. Glare
5. Deadline
Digital audio sample, complete piece
KOKORO
for Theorbo 14 courses (2009 / Revised Edition 2020) | 11’30 min.
“People in Tokyo – activity and contemplation among the hustle and bustle of the city”
Audio samples of the premiere – Michael Freimuth, Theorbo
Use by courtesy of Michael Freimuth.
4 PRELUDES MIT INTERMEZZO
Mondfeder Seite 1 – KLICK ZUM ANSCHAUEN
4 Preludes mit Intermezzo für Orchester (2008) – T. Bocklenberg
The orchestral pieces are composed for young musicians. From this Prelude 4 (Mondfeder) was commissioned by the Association of Friends and Supporters of the Music School Dormagen e.V. The preludes are meant to be pictures for the ear – sceneries in a cosmic environment. Titles like Mare Undarum or Cosmic Bowl already point that out. As a didactic work, the performance is intended only for youth orchestras.
Mare Undarum – Prelude 1
Extracts as digital audio samples: bar 62-78 and 106-119
Cosmic Bowl – Prelude 3
Extract as digital audio sample: bar 29-58
RICERCAR I
Ricercar 1- audio sample 1 – CLICK TO VIEW
Ricercar 1 – audio sample 2 – CLICK TO VIEW
for Lute and Theorbo, 1 player (1989)
T. Bocklenberg
Performer:
Michael Freimuth. Production ICEM – Folkwang Universität der Künste Essen.
Recording: Thomas Bocklenberg
Composition with many special playing techniques and sound effects.
RICERCAR II
for 2 Channel Tape (1989) – T. Bocklenberg
Realization at ICEM – Folkwang Universität der Künste Essen, Thomas Bocklenberg
SCHERZO EX ANIMA II
Page 4, system 1 – CLICK TO VIEW
for Guitar and Piano (1989) – T. Bocklenberg
This piece lives on the steady flow of a rhythmic and melodic pattern, which is reminiscent of the South American Milonga. Guitar and piano are merged closely. The image shows the beginning of the main section with its typical rhythmic structure in the piano. You can here this passage at the beginning of the audio sample.
3 Extracts as digital audio sample
TANGO TIENTOS
for 2 Pianos (2003). There is also a version for Guitar Quartet (Terz Guitar, Guitar 1, Guitar 2, Quint Bass Guitar)
T. Bocklenberg | Extracts as digital audio sample
Con forza, poco a poco agitato, bar 74 – 91
Secco e brusco, bar 142 – 166
Brioso e Finale, bar 207 – End
© Unless otherwise stated, the copyrights and rights of use of the audio samples and score excerpts belong to the operator of this website
Thomas Bocklenberg
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