Since February 2020, this page has been set up with continuously updated information about revised editions, new versions and errata pages of some compositions. Some special playing techniques are described. In addition to error corrections, the errata pages can also contain improvements to explanatory texts or notes to make the notation easier to read. Links to Errata Pages: click to view, right click to download.
Notenausgabe im Selbstverlag Dezember 2019
Errata Seite.pdf update 18.02.20 bezieht sich auf die gedruckte Ausgabe der Version ohne Harfe
Please only use the revised edition BM09-0708162 of 2020!Errata page.jpg refers to “Blinde Berührung / Blind Touch” BM09-0708160 and BM09-0708161 published before January 2020.
Please only use the new version BM 12-1811190 of 2019!This new version (2019) has harmonic changes throughout the piece. The explanation of playing techniques and notation has been revised. Errata page.jpg
Please only use the new version CLM08-3112190 of 2019!This new version (2019) has harmonic changes, especially in the last movements of the piece. The explanation of playing techniques and notation has been revised. The rhythm notation, especially in the polyphonic movements, has been corrected.Compared to the first version, the new version can be studied with little effort. Microphone amplification is desirable.
Revised Edition January 2020, CLM02-0614152Modification in the revised edition: Corrections (more information will follow shortly). New tablature font, new score layout. The errata page refers mainly to old editions, but the description of playing techniques has been continuously improved to this day. Errata page – update 18.03.20.jpg
Errata-page (coming soon) for CLM03-0317150 published before January 2020Revised Edition February 2020, CLM03-0317151(more information will follow shortly)
Revised Edition October 2019, BM10-1907121Modification in the revised edition:Bar 99 ff: some changes in bass movement of guitar 1
The text of the nail attack in the explanation of playing techniques and notation of the pieces Kokoro, Geister / Ghosts etc. has undergone several changes. You can find descriptions of this technique in articles, videos etc. about guitar fingerstyle techniques. Sometimes, contrary to my definition, a kind of golpe is included. It is important that the fingernail surfaces (more precisely the nail plates) of the plucking hand strike on the strings with finger impulse.
The text of “Harmonics + fundamental” (formely “Half harmonics”) in the explanation of playing techniques and notation of the pieces Kokoro, Geister / Ghosts, Guitar Spots etc. has undergone several changes (** for theorbo only**):
Flageoletts + GrundtonBevorzugte Position: in Stegnähe. Wenn möglich, spiele in „Daumen-außen Haltung“. Während der Finger anschlägt, berührt die Fläche des Daumennagels leicht den Chor. Finger und Daumen verlassen den Chor gleichzeitig. Der Grundton (der normale Ton des Chores) sollte „durchscheinen“. Durch wiederholtes Anschlagen bei variierender Position der Anschlagshand werden wechselnde Flageoletttöne erzeugt.
Harmonics + fundamental Preferred position: near the bridge. If possible, play “thumb-outside”. While the finger is plucking, the surface of the thumbnail is touching the course slightly. Finger and thumb are leaving the course simultaneously. The fundamental (the normal tone of the course) should “shine through”. While varying the position of the plucking hand, a repeated plucking creates changing harmonics.
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